The
platform in question is film and 3 media products will be analysed including
Ill manors, A Field in England and Inbetweeners as part of my independent case
studies. In this essay i will be looking into how these films are constructed
based on the platforms they are consumed on. This will involve looking into
print,e-media and broadcast platforms of these 3 films.
E-media is a platform growing
more important as technology advances so to construct a successful product,
films such as Ill manors will need to take advantage of the resources
available. Ill manors successfully created the 'tag-London campaign' which
appeals to Plan B's younger target audience between 15-21 who are more inclined
to use social media. The Tag London campaign is a product of user
generated content and Plan B's record company have created a website and video
to promote this campaign which is mainly focused on posting opinions on social
media websites. The campaign is attempting to focus peoples anger towards the
people that are responsible for their problems and this is why the Tag London
Campaigns video projected the graffiti tweets onto the Houses of Parliament and
other politically significant buildings. The Campaign also gave people who
tweeted exclusive access to a couple of songs from the unreleased album on
soundcloud. This was successful with Ill manors because of the target audience
however, a campaign like this would struggle among films like a field in
England because of the difference in target audience and release strategy.
Subsequently, A field in England
didnt have a very strong e-media campaign. Instead it offered a website
offering a few behind the scenes exclusive interviews ect... But this didnt
matter because their target audience would be placed in the succeder
pychographic group and they are more interested in the 'art' behind the film
making rather than the website. Whereas, Ill manors audience would most likely
fall under the mainstreamers/strugglers psychographic groups and are more
inclined to constantly use services such as twitter- the platform in which the
tag London campaign was focused on.
Within
the last decade print has become a dying media, nevertheless it seems mandatory
that films still produce some kind of print for advertisement. And all of the
films I am using in my cross media study have a film poster. Although less
significant than e-media and broadcast, print does help construct the media
product by telling the audience who the director is. And this is show on the
Ill manors and a field in England posters as these films are lower budget and
targeted at different audiences and so the directors name is featured
frequently on the posters to establish a brand for the film and a name for
themselves. However, for the Inbetweeners the poster is a lot more simple as a
brand has already been created by the successful tv show. Although print is
becoming less and less significant its almost a tradition to still make posters
for films to inform audiences.
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